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| REVIEWS "BEGGARS & LOSERS" |
REVIEWS "THE
ROAD TO SANTIAGO" |
| - Cosmiclava.com (KK) |
- Prognaut.com (Mark "Prof" Johnson) |
| - Bilbaoisrock.com (Mr Brugat) |
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| - Prognaut.com (Mark "Prof" Johnson) |
REVIEWS "FLOWER
ON THE MOON" |
| - Cuttingedgerocks.com (Todd Smith) |
- Prognaut.com (Mark "Prof" Johnson) |
| - Raysrealm (Ray Dorsey) |
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| - Progressiverockbr.com (Marcelo Trotta) |
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| - Musicwaves.fr (Nestor) |
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| - ProgLogAFTERGlow (Harry 'JoJo' de Vries) |
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| - Rockundrground-mag.com |
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KK - www.cosmiclava.com - 11/09
Since 1993, Italy's BULLFROG totally dedicate themselves to the culture of 1970's hardrock. They started as a cover band, playing songs from bands like Bad Company, Free, Mountain or Grand Funk Railroad until they realized it was more fun to play self composed songs. It seems logical that their own material is strongly influenced by their musical idols. In 2001, Andromeda Relix released BULLFROG's debut 'Flower On The Moon' for which the band received a lot of good reviews. Eight years later, the third album 'Beggars & Losers' is now available and all classic rock fans should note the band's name. BULLFROG is firmly grounded in the tradition of the 70's hardrock-power-trio-species, not only because the band consists of three members. But they don't try to exactly imitate that musical chapter at all costs. It's more that they have transported the key element's in today's decade and it works.
What also strikes me about 'Beggars & Losers' is the powerful production that will ensure that this album has been recorded in 2009 and not in 1972. The album starts with 'Over Again' really dynamic, creating a positive atmosphere that runs like a red thread through all eleven songs. 'Rocking Ball' has a lot in common with Free, but I can also hear some funky undertones that remind of the first two records of Mother's Finest. The fastest song is 'On Through The Night' and it would've been nice if BULLFROG has done this more often. In the second half of 'Beggars & Losers', however, the songs begin to become calmer and move further in a southern rock direction. Moreover, they prefer to merge together to form a more AOR-orientated sound which I am very uneasy about. On the other hand, it shows that BULLFROG is able to record a varied album that will please all blues, southern and 70's hardrock fans. BULLFROG can keep pace with their soulmates from Sweden or the USA, and 'Beggars & Losers' is a strong album, including a well designed, colourful digi-pack. |
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MrBrugat - www.bilbaoisrock.com - 30/10/09
Pedazo de joya que se han currado estos italianos de Verona. Un disco para amantes del blues rock y del rock & roll mas clásico. El sabor a setentas lo impregna todo, sonando a clásico desde el primer corte “Over Again”, uno de mis preferidos por cierto. La verdad, es la primera vez que oigo sobre estos señores y fíjate tú, llevan dando caña desde 1993!. Sus influencias son evidentes, nada mas darle al play os vendrá a la mente Led Zeppelin (cómo no..) Free, Mountain…, y es que Bullfrog empezaron como una cover band tocando temas de los ya mencionados además de Bad Company, Grand Funk, y muchas mas…
Los amantes de este género podrán disfrutar de esta maravilla que no tiene desperdicio. Un disco redondo al cual no le sobra ni un minuto donde se puede comprobar la excelencia de Silvano Zago a la guitarra, la genuina voz de Francesco Dalla Riva. |
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Mark "Prof" Johnson - www.prognaut.com - 25/10/09 -Rating 8/10
1. Who is the band? What is their history? What motivates them?
“Bullfrog blues is the name of an old traditional American song and music, (covered also by Canned Heat and Rory Gallagher) but Bullfrog is the name of a band from Verona, Italy who plays good old classic hard rock! The band was formed in 1993 from the ashes of other important bands from Verona (Great Fish, Capricorn, Highshooter, Hitchers). Starting as a cover band, the group plays songs by Free, Bad Company, Grand Funk, Led Zeppelin, Mountain, and other blues standards. The sound is pretty much reminiscent of the classic power-trios of the 70's, with a lot of room for improvisations and solos. In a while Bullfrog begin to gain a reputation as a live band, playing also at various biker festivals, with shows often lasting more than four hours!” (http://www.bullfrogband.net, 2009).
In 2001 Bullfrog finally enter the studio to record their debut album, Flower on the Moon, for the Andromeda Relics label. The album includes nine original compositions plus one interesting cover of Sail on, Sail Away, originally recorded by Moxy, a great and sadly forgotten Canadian band from the 70's” (http://www.bullfrogband.net, 2009).
2. Why did they make this album? What was the passion or message that forced them to produce what they have? Or, simply what was their motivation for the themes they chose for this album?
This is their latest album and it was an attempt to bring the power and sound of their first album Flower on the Moon and their more soulful follow up, The Road to Santiago together in a new album .
3. What message are they delivering through their lyrics and music?
Straight ahead organic and powerful rock and roll like it used to be played in the 70s, but with an original authentic sound. Mission accomplished!
Over Again – That Wipe Out sounding guitar effect lights the flame and we’re off. No wasting time here. The rocket is launched. Powerful guitar, bass, and drums kicking off this (no doubt), live show opener. Nice interlude in the middle, “one step forward, two steps back, find that you’re just the same old wreck”, right before a blistering guitar solo. Power coming at you from all sides of the room. You will want to hear this over and over.
F for Fool – Drums and lead guitar open this one. There is a message in this one. Follow others up the ladder of fame and fortune or take control of your own life. Great guitars and drums. Good hooks and good clean recording methods make this and the entire album solid.
Rocking Ball – The bullfrog rock buzz of the Jimmy Page sounding guitars sets this one apart from other bands who copy 70s era rockers. You’ll swear this is a Bad Company song. Not a cover song, but one Bad Company never recorded or released. The band used to be a cover band playing Bad Company and others before they launched their own original material. Yet there is enough of that Zep sound to make it a great combination of both bands. The lead vocalist really sounds like Paul Rogers on this one. So if you like BC, you’ll like this one. Those drums really are pronounced on this one.
Detour – One of the highlights of the album. The beginning of the album’s peak. That charging lead guitar blitz and accompanying organ really open this one powerfully.
“Running for your life, trying to justify” Over seven minutes of powerful guitar supported by organ and smashing drums and cymbals. The epic. Very strong blues rocker. There are no detours away from this one. Strong vocals and I’m sure a show topper when they do it live. You can feel the power of this even on this recording. Only one word for this one P-O-W-E-R!
On Through the Night – Another power rocker, but lacks the intensity and dynamic sound of the last one. This one is full of lyrics and displays the singer’s extraordinary talents with the microphone. Bass and the rhythm of the drums really play a key role in this song. The middle instrumental really picks this one up. I am sure these guys have some great jam sessions live on stage. Would be great to see this live. The guitar riffs really remind you of some of the best of Page. The drum/bass rhythm will have your foot and hands tapping.
Every Sunny Day – Slow it down a bit after what would be a great opening set of music live. A nice bluesy Black Crowes, Allman Bros. kinda laid back song. Stuck in winter, missing the summer sun and being able to lie in a field of grass or by the ocean relaxing. Just what is needed for the middle of an album. Really reminds me towards the end, of some of Chris Robinson’s solo sound. “Tell me where are you now my friend.”
One for a Zero – The best song on the album, IMHO. Well worth the price of admission and the reason, along with Detour, that I have requested the band send me its back catalog for review. Look for those and more in the future. Can’t get this one out of my mind. It’s incredible. The music and the lyrics come together to make this one even more powerful than Detour to me. The backing vocals, the guitar is just so original with the organ quietly supporting in the background. Driving guitars and drums just filling the room with sound. The vocals match the power of the music. The pinnacle. Sure to be a crowd pleaser at shows!
Keep Me Smiling – This one sounds like a good solid straight ahead rocker. Good positive, upbeat sound and more great guitar licks supported by that perfect drum rhythm support. “I’ve been trying to find a new beginning just to see if it’s late to save the day.”
Rat Kicking – More bullfrog backbeat blues. More of that Bad Company sound here, but not a copy, very original sounding music and vocals, just enough of a similarity to remind you of where they came from and their influences. Great solo vocals towards the end the song.
Easy on My Love – Very Zeppelinesque guitar opener. Solid heavy guitars and smashing drums supporting vocals “and if I do believe in one thing, I believe this thing can last, if we search for one another.” Yeah these guys have been popular in Verona, but hopefully that fan base will spread beyond Italy with this release.
Poor Man Cry – Powerful lead guitar just rips this one off to a great start then the drums kick in. You can actually feel these drums throughout the album. Not just hear but feel the drums pounding. Haven’t said that in a while on a review. The drums feel like they are in the room. This guy really hits them hard. Actually the third best song on the album. The guitar solos and drum/guitar combos really blast home the power of this band. Great way to leave you looking forward to the next album!
4. Does this music improve, change, or add to the genre? What does the listener receive from listening to the music?
Not at all prog. Not sure why they sent it to us, but very happy they did! Wonderful bullfrog blues rock. Doesn’t change the genre of hard rock either, but definitely adds an up and coming band to the wave of bands trying to fill the void for the loss of bands like Canned Heat, Led Zeppelin, Bad Company, and others.
Very original in a genre filled with bands trying to copy their heroes. This band gives you enough of the sound while at the same time provides you new lyrics, rhythm, and melody to add to your collection of memories.
5. Does it have longevity? Is it something a fan will like to play again and again?
Absolutely! Haven’t stopped playing it since I received it. Was expecting another 70s cover – type band by the looks of the album cover, but was absolutely blown away by the original sound and power of the dynamic music they have produced. All three of these guys have created something powerful together and I am really looking forward to hear the back catalog which inspired this effort.
In this genre it is very difficult to be and sound original because so many great bands have preceded you. One of the best albums I have reviewed this year. Maintaining that originality despite similarities is what makes this such a powerful album.
Rating: 8/10 – Very good work. There are some real showstoppers here, but I am leaving room for the future. |
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Todd Smith - www.cuttingedgerocks.com - 12/09/09 -
The dig pack case can barely hold the shear weight of this CD. Dense guitar, bass and drums with a thunderous production make Bullfrog’s Beggars & Losers the true titans of classic heavy rock. Immediately bands like Mountain, Cream and Grand Funk jump to mind as the laser traces the disc through 11 original compositions. Dedicated to finding the heart and soul of ‘70s power-trios, Francesco Dalla Riva (bass, vocals), Silvano Zago (guitar) and Michele Dalla Rive (drums) match pound-for-pound the universal magnitude of sonic expression. Tears well up when the band rip into “Detour” a Sabbath / Deep Purple inspired headknocker with a frenzied vocal and huge riff. The organ, retrofitted by Simone Bistaffa, is absolutely spine tingling - as is the gut-wrenching guitar solo. A shuddering hallmark! Soaked in whiskey-laced blues, songs like “Rat Kicking” and the backwoods “Every Sunny Day” meet the Allman Brothers and Free at the crossroads with a commanding strength that is as gratifying as it is powerful.
“Rocking Ball” sets the benchmark with its slow, plodding push that feeds the surging guitar. Singer, Riva, has his best Paul Rodgers strut in step then jumps up an octave for the chorus into a blinding Ian Gillian. The hook is sticky sweet with a drumbeat that lasts for days. Several tracks are more straight ahead hard rock including the bombastic “Over Again,” the Foghat-inspired “F for Fool” and the chugging “On Through The Night” that could have easily slipped off The Red Album-era Grand Funk. The tempo changes and instrument isolation in “On Through The Night” open up the track to an inspired dimension where the magic lies within the notes between the spaces. Three tracks, “One For A Zero,” “Easy On My Love” and “Poor Man Cry” sound as if they were written forty years ago. A splash of Humble Pie, Atomic Rooster and Budgie offer a hint of the potential of these songs. Each time we play this disc we gain a greater respect for the compositions and the craft in which they were constructed. These guys are true believers in dynamic music and lead a new generation of pioneers.
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Ray Dorsey - raysrealm.blogspot.com - 07/08//09
Is it fair for me to review albums like this? I mean, maybe to give proper perspective I should get my dad to do it. Then again, what would his review sound like…hmm…not sure exactly, but I can most assuredly promise you it would include the phrases “bunch of longhairs,” “all hopped-up on dope” and “they were banging my ears for an hour.” No, I’ll go ahead and do it even though all you have to do is mention the words “70’s hard rock” and I’m there, salivating like Pavlov’s Dog on the day The Bell Store had a big sale. Right from the git-go, I like the looks of this puppy. Talk about an eye-catching cover! Jesus Christ, you’d have to be a colour-blind man in a black & white TV factory not to be wowed by the artwork here. And tell you what, a gigantic frog with devil horns comes my way clutching a Les Paul & a bass, I’m gonna take notice. Open the gorgeous digipak, slide in the disc and baby, you’re in hard rawk heaven. Apparently BULLFROG’s 3rd full lengther, they really let it be the charm as there’s nary a bummer to be found among the 11 cuts here. Opening with “Over Again,” this trio (Silvano Zago – guitars; Francesco Dalla Riva – bass, vox; Michele Dalla Riva – drums) sounds like Humble Pie crossed with maybe some killer obscure southern hard rock dudes like Two Guns (especially in the vocal dept.) These boys aren’t afraid to dollop on the dynamics. Check out the way Zago comes charging out of the mellow interlude in this cut, right into a paint peeling solo. Yeah man. Lotsa barn-burning riffers to choose from here, but my faves have gotta be the smoking “On Through The Night” (not Def Leppard!), the HPie/Doobies hybrid of “Keep Me Smile” or the true Suddern guitar blowout of “Poor Man Cry.” This is good stuff and the CD even looks like a record. No Losers Here |
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Marcelo Trotta - www.progressiverockbr.com -16/0709
The Italian band Bullfrog was founded in Verona in 1993 by Francesco Dalla Riva (bass, vocals), Michele Dalla Riva (drums) and Silvano Zago (guitars), with the aim of playing Hard Rock. The name is inspired by the traditional American piece “Bullfrog Blues” (recorded by "Rory Gallagher" and "Canned Heat"). As all bands, Bullfrog began as a cover of local hard rock bands from Verona ("Great Fish", "Capricorn, "Highshooter", "Hitchers") and from great bands from the late sixties and the seventies ("Free", "Mountain", "Grand Funk", "Led Zeppelin"). The new versions made by the band for an extensive repertoire of Hard Rock and Blues classic songs opened doors for many live shows, with gradual insertion of their own compositions. The outcome was the release of the debut CD “Flower on the Moon” (2001 – Andromeda Relix). The second album - “The Road to Santiago” was released in 2004 and was regarded as a better work, with matured arrangements. After that, Bullfrog began to open concerts for other important bands ("John Lawton Band", "Micky Moody" and "Bernie Marsden", "Uriah Heep" and "Dzjenghis Khan"). The third release – “Beggars and Losers” (2009 - Andromeda Relix) brings 11 original compositions, which are all based on typical hard-rock guitar riffs, bluesy melodic solos, grooving bass, and rocky drums. The excellent voice of Francesco, which stands half-way from "Leslie West" ("Mountain") and "Richie Wise" ("Dust"), is always accompanied by a sticky chorus. The general mood is that of a “road movie” screen play that tells the story of some musical trip through the western and southern USA. If you appreciate songs like “Mississippi Queen” ("Mountain"), “Heartbreaker” ("Free", "Grand Funk"), “Wishing You Well”, “All Right Now” ("Free") “Simple Man” ("Lynyrd Skynyrd") “Back in Black” ("AC/DC") and “Black Dog” ("Led Zeppelin"), or any other which falls into the style, you will get immediately hooked on the opening sequence made of “Over Again“, “F for Fool“ and “Rocking Ball“. Once you have been captured, it is time for the band to show their most bluesy and soulful side, counting on the help of some guest musicians. Songs like “Detour“ (with great vocal interpretation of Francesco); “Every Sunny Day“ (a sad country ballad with acoustic guitar and beautiful guitar solo – which I suggest that could be longer when played alive), and “One for a Zero“ (on which harmonic backing vocals contrast with bass lines and guitar solos that remind "Gary Thain" and "Mick Box") are all enriched by Simone Bistaffa, whose keyboards imprint a kind of "Grand Funk"+"Deep Purple"+"Uriah Heep" mark on them. Even though the first guitar chords of “On Through the Night“ may look like “Hocus Pocus“ ("Focus"), you can relax, for the song proceeds as a true hard rock piece, having creative passages of bass and percussion (courtesy of guest musician Sbibu) that remind me of song entitled “Daybreak” (by German band "Eloy"). Although “Keep Me Smile“ turns to a country happier mood, the album closes very well with “Rat Kicking“, “Easy on my Love“ (a slow blues with oriental riffs) and “Poor Man Cry“. The later two approach the styles of bands like "Dust", and "Mountain", and have participations of guest guitarists Fabio Serra and Matt Filippini. Invite Bullfrog to play “Beggars and Losers” in your private Rock ’n Roll party, and your popularity will increase 100% among the neighborhood. Bullfrog is highly recommendable for fans of "Free", "Mountain", "Grand Funk Railroad", "Deep Purple", "Rory Gallagher", "Bad Company", "Cream", "Hendrix", "Dust", "Molly Hatchet", "AC/DC", "Blackfoot", "Lynyrd Skynyrd", "Budgie" and any other good Hard Rock or Blues band from the sixties and seventies. Distribution by Black Widow Records. |
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Nestor - www.musicwaves.fr - 06/05/09 - rating 8/10
Bullfrog est un groupe italien qui ne sonne pas comme un groupe italien. En effet, dès les premières notes de « Over Again », titre qui entame leur dernier disque, les batraciens transalpins nous plongent entièrement dans une mélasse épaisse qui puise allègrement dans le Rock américain des années 70 et le Stoner Rock à la « Masters Of Reality » de Ginger Baker. Bienvenue aux USA, le pays qui aurait du voir naître Bullfrog.
Tout le long du disque, ce sentiment de naviguer entre la Californie et la Louisiane ne quittera pas l’auditeur. Même lorsque le propos du groupe se fait un peu plus léger, avec le très country « Every Sunny Day » par exemple, c’est vers Tesla que cette formation lorgne. Et il est difficile de trouver moins américain que le gang de Sacramento. Deux autres titres « Keep Me Smilling », et le très bon « Easy On My Love » font d’ailleurs également penser à Tesla. Pas une seule fois l’illusion ne se s’estompe, Bullfrog propose dans son intégralité une relecture très crédible et bougrement bien réalisé du rock américain dans sa tendance lourde.
Francesco Dalla Riva, le chanteur, est très à l’aise, dans ce style où sa voix légèrement nasillarde, et exempte de tout accent déplaisant, fait merveille. Son frère, Michele Dalla Riva, est également très bien en place. Sans être un technicien exceptionnel, il nous gratifie d’interventions efficaces et variées (« F For Fool »). Mais outre le chant, l’autre gros atout de Bullfrog réside indéniablement dans les parties de guitare de Silvano Zago, celui-ci n’ayant pas son pareil pour porter les morceaux à bout de riff et de rythmiques aussi dynamiques qu’inspirées. Les excellents « One For Zero », « Easy On my Love », « On Throught The Night » prouvent qu’avec des recettes vieilles comme le monde et un peu de talent on peut arriver à un résultat des plus réussis. Fait suffisamment rare pour être noté, aucun morceau réellement faible ou superflu ne pointe son nez sur cet album.
Vous êtes fan de Rock teinté 70’s à la Free, Allman Brothers Band, Bad Co, de Stoner énergique à la Masters Of Reality ou de Rock à la Tesla ? N’hésitez pas instant et jetez vous sur « Beggars & Losers » qui, loin de se contenter d’être une pale copie des grands anciens, présente un groupe aussi efficace qu’inspiré. |
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Harry 'JoJo' de Vries -ProgLogAFTERGlow -22/04/09 - rating 4/5
Je kunt niet alles bijhouden wat er aan releases verschijnt in de progres- sieve rock. Bullfrog is dan ook een mij onbekende Italiaanse band die met 'Beggars & Losers' hun derde album in tien jaar het licht laat zien. Nu zeg ik 'progressieve rock' maar deze band beweegt zich aan de randen van dit segment en speelt feitelijk onvervalste hard rock met een intellec- tuele 'touch'.
Het voorliggende album is ronduit een heerlijk werkstuk dat lekker weg- draait door de sterke melodieën, de technisch prima uitvoering, puntige tracks, krachtige ritmes en ritmewisselingen en niet in de laatste plaats de open produktie. Bullfrog hanteert het hardrock-idioom zoals dat in het ver- leden zo herkenbaar is neergezet door bands als Uriah Heep, Deep Purple, Bad Company en in mindere mate The Free. En in de paar tracks waar een orgel opduikt komt ook nog Atomic Rooster voorbij.
Zanger Francesco Dalla Riva kan wat mij betreft qua stem wedijveren met David Byron en Ian Gillan want elke noot die hij zingt is raak, zijn stem- banden hebben de kracht van een orkaan en hij hanteert op natuurlijke wijze die voor de hard rock zo typische uithalen. Bovendien vormt hij als bassist een glad ingespeelde ritmetandem met drummer en broer Michele Dalla Riva die speelt alsof hij op de hielen wordt gezeten door de eerste de beste maffiabaas en zijn leven ervan afhangt. Met een overigens heerlijke spanning in de drumvellen die tezamen met zijn krachtige slagen de her- innering oproept aan Zeppelin's John Bonham.
De composities bestaan louter uit sterke melodie- en zanglijnen terwijl de refreinen onvermijdelijk leiden tot vocale participatie. Luister maar eens naar opener 'Over Again' en 'F for Fool' en uw huisgenoten zullen snel mer- ken dat er iets bijzonders met u gebeurt door deze schijf: u zingt mee!!! Het licht complexere 'Detour' en de knap opgebouwde afsluiter 'Poor Man Cry' laten de voorzichtig progressieve kant van de band horen.
Bullfrog toont mij hier aan een onderschatte band te zijn die bredere aan- dacht verdient dan alleen in Italië. Een heerlijk album om je af te reageren na een hectische dag, de agressie eruit zingend. 'Beggars & Losers': een niks-aan-de-hand hardrock werkstuk waar ik vrolijk van word. Van de hoes ook trouwens! |
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www.rockuderground-mag.com - rating:8.5/10 10/09
Começando como uma banda cover, o grupo toca músicas por Bad Company, Grand Funk Railroad, Mountain, e outras normas blues. O som é muito bonito reminiscência do poder-trios clássicos dos anos 70, com muito espaço para improvisações e solos. Aos poucos, como uma evolução natural, a banda começa a escrever e tocar seu próprio material, mostrando claramente o amor pelo rock de anos 70. Em 2001 Bullfrog finalmente entrou em estúdio para gravar seu primeiro álbum, Flor na lua, para a etiqueta relíquias de Andrômeda. O álbum inclui nove composições originais, mais uma capa interessante Sail on, sail away, originalmente gravada por Moxy, um grande e triste esqueceu banda canadense dos anos 70. Até hoje, o CD está recebendo ótimas críticas de todos os mais importantes revistas de música italiana. Em maio de 2002, a Bullfrog estréia na televisão, para o show ao vivo Terremoto no canal Matchmusic, executando versões unplugged de Trouble in Paradise e Flor na lua. Em março de 2003, a canção Stranger para o perigo está incluído na compilação de CD Burn!, Vendidos com o novo rock revista Classix. Em abril de 2004, um novo CD é publicada, a caminho de Santiago, um grande trabalho de hard rock puro, incluindo nove composições originais e uma versão cover do clássico James Gang Walk away. Perto do recorde anterior Flower On The Moon, The Road To Santiago mostra uma produção muito melhor, e uma musicalidade de crescimento. No mês seguinte o álbum fica rave e comentários entusiasmados da crítica e revistas. As canções de Sundance e O caminho para Santiago estão incluídas em dois álbuns de bandas locais compliation MusicAlive # 2 e Tales, sendo o primeiro também foi ao ar no programa de rádio nacionais Demo no Radio1. O novo álbum, mendigos e perdedores, recorda os grandes gigantes do hard rock dos anos 70, mas ainda a personalidade da banda está mais forte do que nunca. A banda também teve o privilégio de ser a banda de abertura para alguns dos maiores heróis do hard rock, sempre conquistando o público e ganhando elogios sinceros dos headliners também. |
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THE ROAD TO SANTIAGO
Mark "Prof" Johnson - www.prognaut.com - 15/11/09 -Rating 8/10
1. Who is the band? What is their history? What motivates them?
“Bullfrog blues is the name of an old traditional American song, (covered also by Canned Heat and Rory Gallagher) but Bullfrog is the name of a band from Verona, Italy who plays good old classic hard rock! The band was formed in 1993 from the ashes of other important bands from Verona (Great Fish, Capricorn, Highshooter, Hitchers). Starting as a cover band, the group plays songs by Free, Bad Company, Grand Funk, Led Zeppelin, Mountain, and other blues standards. The sound is pretty much reminiscent of the classic power-trios of the 70's, with a lot of room for improvisations and solos. In a while Bullfrog begin to gain a reputation as a live band, playing also at various biker festivals, with shows often lasting more than four hours!( http://www.bullfrogband.net/english%20version/biography.html, 2009).
“In April 2004, a new CD is published, The road to Santiago, a great work of pure hard rock, including nine original compositions and a cover version of the James Gang classic Walk away. Stylistically close to the previous record Flower On The Moon, The Road To Santiago shows a much better production, and a growing musicianship. In the following months the album gets rave and enthusiastic reviews from critics and magazines. The songs Sundance and The road to Santiago are included in two compilation albums of local bands MusicAlive#2 and Tales, the first being also aired on the national radio program Demo on Radio1!”( http://www.bullfrogband.net/english%20version/biography.html, 2009).
2. Why did they make this album? What was the passion or message that forced them to produce what they have? Or, simply what was their motivation for the themes they chose for this album? This was their follow up to the critically acclaimed Flower on the Moon album. The band wanted to expand their sound and display their new maturing talents.
3. What message are they delivering through their lyrics and music?
Sundance – This one gets rocking early with a strong guitar rip and then those smashing drums. “Celebration is what it’s all about now ain’t it clear!” “Time to open the doors and let the time begin.” Fun in the sun after probably a long cold winter. That is the feeling you get from this song. “Time to walk in the sun and let your soul be heard!” You can’t help but feel good about this song. The bluesy guitar solos backed by smashing drums in the middle really sets the mood right for this album. They tried to recruit Chris Squire to sit in and do a bass solo, but he was on holiday. Another great opener.
The Road to Santiago – Drums and an AC/DC sounding riff opens this one. But it’s no copy the vocals make that clear. The title song. “Leave your worries behind.” Inspired by Orson Wells unfinished movie The Road to Santiago. The need to hit the road and get out and enjoy the world. “Come fill your heart and your mind.” The piano solo in the middle is wonderful. The guitar and building drums are just excellent as another guitar solo roars. Positive, energy – filled music that will not let you sit still.
Rain on Me – Power drum thuds and a great bullfrog blues backbeat. That Paul Rogers kinda Bad Co sound. But again, not a copy. Sounds similar but original lyrics and guitar licks make it different. Great refrain. This one is not as experimental. Just good straight ahead rock and roll. Must have been a very rough winter, they are really sick of the rain on this album.
Boz’s Walk – Punching drums open this up and then guitar giving you that walking rhythm. Very Zeppelinesque. The guitar solos really set this on fire! But those constant drums keeping rhythm are a real trademark that will have you remembering Bonzo and Baker. Great acoustic guitar fade out, wish it had been longer. But it was wonderful.
Kissin’ Mary Lou – Off and rolling again with a faster beat. “The colder nights are almost over.” Yeah, spring fever is in the air with this entire album. The guitar and drum solos which are a trademark with this band in the middle of a song are great.
Morning Creeping – That cool guitar and cymbals slow drift to open this one. “…walking side by side.” “Its love that comes strong in your soul, when the sun comes creeping round your door.” Spring fever at the max. Nice harmonized vocals at the end.
Supersister – Pounding drums and a funky beat. “I like to see an open country. I like to feel my face calm with the sun. When the rays coming on me…” Yeah, it must have been a particularly rough winter.
Slow Bottom – Power drums and guitar. That Paul Rogers sounding opening. Good blues grind. More good guitar solos.
Walk Away – The cover of one of my favorite James Gang songs. Powerful lead in guitar solo with drums pounding. They do a very good job for a sophomore album. Pretty gutsy to try something as complicated as Walk Away in your second outing. They give it their own sound. Not as good as Joe Walsh, but who is? The guitar solos are heavier, but still sound good. The supporting vocals are good.
I’ll Be Gone – Nice slow strum of the guitar and the opening of a ballad. Great way to end the album. Give the listener something to look forward to for the next one. Very good. Wish they’d do more of these songs. “Singing a summer song.” Good slow bluesy rocker. Good Stevie Ray Vaughn kinda song. Just perfect guitar solos. This one could have gone on forever.
4. Does this music improve, change, or add to the genre? What does the listener receive from listening to the music? I requested the back catalog of CDs from this band based on the fantastic performance on their new one Beggars and Losers. This one is very good, but you can see the progression in talent with Beggars and Losers. Very much a spring album. Will get me through the winter. Gotta hear it again on the other side!
5. Does it have longevity? Is it something a fan will like to play again and again?
Rating: 8/10 – Good solid rock and roll. Helps to fill the void left by Led Zep, Cream, and Bad Company, no longer recording new music.
Reviewed by Prof on November 15th, 2009 |
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FLOWER ON THE MOON
Mark "Prof" Johnson - www.prognaut.com - 15/11/09 -Rating 7/10
1. Who is the band? What is their history? What motivates them? “Bullfrog blues is the name of an old traditional American song, (covered also by Canned Heat and Rory Gallagher) but Bullfrog is the name of a band from Verona, Italy who plays good old classic hard rock! The band was formed in 1993 from the ashes of other important bands from Verona (Great Fish, Capricorn, Highshooter, Hitchers). Starting as a cover band, the group plays songs by Free, Bad Company, Grand Funk, Led Zeppelin, Mountain, and other blues standards. The sound is pretty much reminiscent of the classic power-trios of the 70's, with a lot of room for improvisations and solos. In a while Bullfrog begin to gain a reputation as a live band, playing also at various biker festivals, with shows often lasting more than four hours! (http://www.bullfrogband.net/english%20version/biography.html, 2009).
“Gradually, as a natural development, the band begins to write and play their own material, clearly showing the love for the great rock of the 70's. In 2001 Bullfrog finally enter the studio to record their debut album, Flower on the Moon, for the Andromeda relics label. The album includes nine original compositions plus one interesting cover of Sail On, Sail Away, originally recorded by Moxy, a great and sadly forgotten Canadian band from the 70's.To this day the CD is getting great reviews from all the most important Italian music magazines” ( http://www.bullfrogband.net/english%20version/biography.html, 2009). .
2. Why did they make this album? What was the passion or message that forced them to produce what they have? Or, simply what was their motivation for the themes they chose for this album? Their debut CD, to put their own original works and sound, drawn from the inspiration of 70s legends, to the test of the open marketplace.
3. What message are they delivering through their lyrics and music?
Trouble in Paradise – That powerful set of drums and guitar hit you from song one. Paul Rodgers inspired vocals and those great guitar solos which would become a trademark. That funky signature guitar lick sounds so good.
Hallelujah – Ramblin’ kinda beat. Good upbeat lyrics and rocking beat. The refrain will have you singing along. Mother and Father – Stevie Ray Vaughn/Hendrix guitar licks and a faster beat. It’s the guitar solos baby! They know how to mix good upbeat lyrics with great drum and guitar solos.
Flower on the Moon – The title track and probably the standout. Great acoustic guitar intro then the drums and electric kick in. Electric guitar strums an almost Black Crowes jam, when they begin the refrain. Really is a highlight, along with the echo effect that ends the song.
Sail On, Sail Away – This band is influenced by allot of legends from the past. A little known band out of Canada, Moxy, is the inspiration and author of this song, the first cover song on a Bullfrog album. Covers are often hard to judge. I think Bullfrog’s version of this song is harder and Francesco’s vocals are better than the original. The guitar solo is also stronger than Moxy’s. All you can ask in a cover song is to uphold the power of the original and hopefully improve on it in the process. They do both here.
Bed Love – Good strong drum and guitar opening. “Gonna climb a hill far over the water.” “Gonna take a long ride up into the mountains.” Yeah, I know what that’s like. Great to get away sometimes. Change of altitude can sometimes change the attitude!
Mystic Mistake – Zeppelinesque guitar opening. The guitar solo is very dynamic and memorable.
(Don’t) Fly Away – Cool rolling guitar solo opens this one. There’s a swagger to this one. Good foot stomping beat which would also be great to dance to live. The fly away refrain sounds so good.
Stranger to the Danger – Power guitar and drums open this one. Solid rocker. Good use of piano to support and differentiate the sound, something you don’t hear as much from rock bands any more.
The Ballad of Jimmy the Fool – Their version of a Rebel Without a Cause type of story with those great guitars and drums supporting. The anthem - like guitar and drum salute at the end is a fantastic way to end the album. But we’re not done yet…A little blues harmonica along with an acoustic guitar to close the album. Nice touch!
4. Does this music improve, change, or add to the genre? What does the listener receive from listening to the music? Quiet a nice debut, introducing some of their original lyrics and music to the genre of hard rock and blues. The cover song was a wonderful discovery and they have proved to me, over the course of the three albums that I have reviewed, that they have the stuff to make even better albums in the future.
Does it have longevity? Is it something a fan will like to play again and again? This is a great document of where they were at the turn of the decade. It also shines a light on their start and shows how even within the album they were innovatively developing their talents and continuously updating their sound. That tradition continues on their latest effort Beggars and Losers.
Rating: 7/10 – A little more repetitive than the other albums, but there are highlights which make it an essential part of the catalog.
Reviewed by Prof on November 15th, 2009 |
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